Like-every-couple-of-minutes-kind-of-constantly. So simply put, the best advice I can possibly give is to get used to changing the Hardness and Opacity constantly. And if you're not careful, they can also give off that super "airbrushed" look that doesn't always work well. You see, Hard, High Opacity Brushes are much harder to blend, while Soft, Low Opacity Brushes tend to muddy up a painting really quickly. Naturally, they either start with a brush that's too hard with a really high opacity, or a brush that's too soft with a low opacity. The number one problem beginners have is choosing the right Opacity and Hardness for the different stages of their painting. Don't : Use Soft Brushes for details that need clean edges.Don't: Get stuck making an entire painting on one setting (for Hardness/Opacity).Don't: Color pick from a reference photo.Do: Use "lighter" brushes (0–50% Opacity) for smoothing out details, adding atmosphere (like smoke/fog), and softening textures.Do: Use "heavier" brushes (50–100% Opacity) for blocking in colors, the main painting, and finishing details.Do: Study the difference between painting with a "hard" or "soft" edged brush.Do: Vary the settings for Hardness/Opacity based on what the painting needs.
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